dis-rε-plεatεd
fernando's chaos appearances inversion

a selective version of the fool eXquisite Orgasmic oRigamics
dis-rε-xquisitεd by jεf safi




memory persistence
all dis-re-pleated operands are images published (or not) by
xel. dou_ble_you fernandoprats Gla* jef safi mark valentine Nirvana SQ tartalom brancollina yellow.kiddo Ron Herrema miramann billhorne nachopop Oxpeena lisa** ... on rhizome-E-xquisite and/or rhizome summum flickr groups .
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A pictosophical exploration of Entropy ≥ Memory . Creativity ² concept

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• Transitory pictures captured by [Print Screen] key.
• Captured dis-re-pleated pictures dis-re-integrated.
• Definitively unfinished Creative-Common Dis-Re-Made.
• .../...

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(...) dans les "cristaux de temps" que certaines images d'Ophüls ou de Fellini permettent d'observer, le temps apparaît selon sa composante essentielle qui fait se dédoubler le présent en "deux directions hétérogènes, dont l'une s'élance vers l'avenir et l'autre tombe dans le passé" (...) L'image-temps cinématographique recueille la tension bergsonienne du "souvenir-pur", toujours virtuel, et de "l'image-souvenir" qui l'actualise dans un rapport au présent. (...) Actualisant le virtuel et virtualisant l'actuel, le paradoxe optique de l'image-temps s'étend à l'échelle d'une "mémoire-monde".

.(...) in the "crystals of time" that some Ophüls or Fellini images help out, the time appears under its essential component in which the present is splitting itself in "two different directions, one of which soars to the future and the other falls in the past" (...) The cinematographic image-time collects the Bergsonian tension of the "pure memory", always virtual, and of the "souvenir-image" that actualizes it in the present. (...) Actualizing the virtualized and virtualizing the actualized, the optical paradox of image-time extends itself to the scale of a "memory-world" .

( Gilles Deleuze - 1985 - Cinéma 2 - L'image-temps )

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The rhizome-E-xquisite group - The rhizome summum group
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The rhizome-E-xquisite dis-re-pleating machine
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